​LP Magazin 01/2013

“From a measurement point of view, this can easily be seen in a sensationally low distortion factor, which remains at the lower measurement limit even at a very loud 95 decibels.

[…] And the fantastic resonance poverty inevitably leads to a spatial image that is unparalleled: there are simply no disturbing vibrations that could overlay the room information, however quietly present on a recording. This works so well that one literally thinks that one can hear the smallest dust flake, which the cleaning lady has overlooked in a corner of the concert hall.

[…] The whole thing is so impressive that I would like to thank the designer for breathing such brilliant new life into the supposedly completely chewed-through topic of loudspeakers.”